In an old house in England…

This is my review of the play Arcadia, by Tom Stoppard.

I was led to this play via a mention of the grouse population problem in another work of fiction. A Google search told me that this is a modern play that has mathematical references. Since I’m a sucker for Sci-Fi, I had to give it a shot.

The last play that I read was the much-maligned Harry Potter and the Cursed Child. I’ve read film scripts before too, out of sheer laziness. What I’ve realized is that scripts are, by necessity, a very crude medium for storytelling. Yes, spells can be cast non-verbally and very destructive spells do exist. But it is far more visually appealing to have duellers dodging blasts of colourful light. On film or stage, visual effects are necessary, even at the expense of a plot hole or two. For more obvious reasons, you also cannot have any trains of thought, or flashbacks, or any other crutches to help a dull audience member understand a character’s motivations.

I tried very hard to keep all these constraints in mind while reading Arcadia, because a lot of the subtler plot points are given away by casting and set design commentary, and a reader loses out on the experience of piecing the clues together on their own.

The first scene shows us a young man with then improbable name ‘Septimus Hodge’ tutoring the young Thomasina. It’s the early nineteenth century, and tutor and tutee(?) engage in some Oscar Wilde-worthy banter. It’s clear that Septimus and Thomasina are both extremely intelligent. The first few scenes are a delight, both for the wordplay and the way that anachronistic science and mathematics is discussed from a perspective that is very different from today.

In the present day, a scholar is studying the architectural style of the house; a scientist plays with data he finds in old hunting records; and a historian tries to uncover the story behind an eccentric genius who lived in the house nearly two centuries before.

These two storylines are interleaved with each other, with many visual parallels- the old house, lookalike characters. It’s set up as a mysterious collision with some revelations at the end. Unfortunately it’s not quite subtle enough on paper, and one doesn’t have the chance to appreciate the set design.

I would recommend this play, but only if you really take the time to sit down and visualize how the story pans out- don’t just follow the (overly simplistic) storyline like I did!

4/5. I’m not great at visualizing narrative, but if you are you’ll probably enjoy this one!


Fan Fiction vs Canon

This is my review of Harry Potter and the Cursed Child by JK Rowling. Well, the script at least, I haven’t had the good fortune of seeing the play live yet. Someday…

I’ll start off with a spoiler-free review first:

This is a next-gen story, focusing on Harry & Ginny’s youngest son, Albus Severus Potter. If you recall, the epilogue of Deathly Hallows saw young Albus was worrying that he’d be sorted into Slytherin. Well, he is! This, of course, is not a good thing to happen in the Potter-Weasley clan. Cue family drama and rebellious escapades.

What I found exceptionally interesting was the short length and lack of narrative. Instead of a ginormous 900-page tome, we get a one hour long script. Dumbledore can no longer ‘twinkle wisely’; for a writer like JKR, who relies on the generous use of adverbs (sometimes entirely too many!), this had to have been a huge limitation. The result is a deftly paced self-contained plot, with much more prosaic themes.

She can’t resist her usual comedy though, and we get some entertaining lines from Ron and Scorpius Malfoy. In all, this would make for a very interesting TV show. The relationship between Harry and Albus is realistic and (luckily) free of the overdone teenage angst that made The Order of the Phoenix such a drag.

Funnily enough, JKR has stuck to many plot points that are widely accepted amongst the fanfiction community- thus making them canon!

I’d give this a 4.5/5, because it is a bite-size chunk of nostalgia with a satisfying plot.

Now for some minor spoilers:

Once again, an important theme is that one’s choices are more important than anything else. Albus and Scorpius are Slytherins, and they’re undoubtedly the heroes of the story.

There is a generous amount of time travel in the story, enough to remind me of the wibbly-wobbly-timey-wimey approach of Doctor Who. Some of the jumps are not very convincingly explained, but, hey, it’s fantasy.


Another shoutout to fan fiction is the Scorpius+Rose pairing that is much beloved by the HPFF community.