fiction

No Child’s Play

There is something exquisite about children’s books. There’s joy and wonder in the discovery of new things. There’s unbounded love. Most importantly, there’s the tremendous responsibility of nurturing and molding young minds. Shouldn’t that make reading children’s books a great learning experience?

This post is a review of a famous children’s book, Pollyanna, written by Eleanor H Porter, and a book of compiled letters to Indira Nehru, Letters from a Father to His Daughter, by the inimitable Jawaharlal Nehru.

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The ever so happy Pollyanna

Pollyanna is a book about the little child, Pollyanna, who is glad about everything under the sun. She is the person behind the adjective Pollyanna or pollyanaish. If she finds nothing to be glad about, under the sun, then she just digs deeper till she hits the goldmine of gladness. She’s a delight. She’s a great person to introduce to children, especially in times such as this (cue dramatic music), because she is an embodiment of hope and joy, and possesses the power to transform even the grumpiest of people.

However, since I am, I think, an adult, I didn’t find Pollyanna to be enlightening or even cute. In fact, I felt intensely sorry for her. What would ever happen to her when she grew up and saw the purple flowers, like Celie did far into her adulthood? I would definitely not want to witness her bubble bursting. Of course, when reading a children’s book, one is supposed to wear one’s most childish pajamas. But, try as I might, I couldn’t pretend not to be an adult when I read this book. Besides, it also didn’t help that I am biased towards books that are based on plausible dystopias rather than books that are desperately trying to be about a utopia.

Apart from the main selling point of the book, I also disliked the way it is written. I had always thought that writers before the mid 20th century were very conscious of their grammar and punctuation. But, it turns out, I’m wrong. Porter has unfortunately used big shouty letters to emphasise words, rather than effectively use simple words.

If you’re a child under 10, or know a child that young, gift him or her this book. It will act as a balm when he or she ever feels let down by their worlds. I’d root for Black Beauty and Heidi though, instead. Anyway, if you’re an adult, it’s a 2/5.

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Young Indira Nehru

Pollyanna doesn’t make for a great present to a 10 year old, but Letters from a Father to His Daughter does! The book is a compilation of letters that were written by Jawaharlal Nehru to his daughter, Indira Nehru, who would go on to become the first female prime minister of India, Indira Gandhi. The letters were written with love and devotion, and published with the hope that “such of them as read these letters may gradually begin to think of this world of ours as a large family of nations“.

The letters cover the creation of the earth, evolution of life and man through civilisations, stratifications based on race, gender, caste, class, creation of social institutions, and their relevance today*. The simple language and the breadth of information compressed is wonderful. It made me appreciate the exceptional talent every parent must possess to answer their children’s infinite queries.

What stood out in the letters was the lack of sermons. Nehru treats little Indira as an intelligent person. There’s the glow of constant engagement between father and daughter; as if her education never ceases and as if she was always thirsty for more. Nehru emphasizes, in the first letter in the compilation, that to truly understand the world, it is important for Indira to step out of her comfort zone. “If we want to know something about the story of this world of ours we must think of all the countries and all the peoples that have inhabited it, and not merely of one little country where we may have been born,” he wrote. We also see Indira being groomed as a world leader, a humanist. Nehru’s words are timeless. He wrote, “As Indians we have to live in India and work for India. But we must not forget the world and the people living in other countries are after all our cousins. It would be such an excellent thing if all the people in the world were happy and contented. We have therefore to try to make the whole world a happier place to live in.

As an adult (clears throat), I had a good time reading the book. The book gave me an idea or two on how to smother my little nephew with love and be an overbearing aunt at the same time. I thought the book could have packed in more illustrations, though, seeing as the ones that made the cut into the book are as pretty as they are. Also, in some parts of the book, I had an undesirable urge to argue with Nehru on some of his ideas. But, even so, the letters don’t truly belong to any school of thought, per se, and the book is an enjoyable and age-appropriate read throughout.

If you’re a young child of 8-12, this book can be rated 5/5. For a person older than that, however, the book comes close to 4/5, for its simplicity, its power through knowledge and, also, by being the book that possibly shaped the life of one of the most prominent leaders of the world’s largest democracy.

Children’s books are a thing of beauty, and I have realised through the act of critiquing them, that they’re tricky and a joy to read. Nevertheless, I figure, children’s books are no child’s play.


Feature image: Aaron Shikler’s painting of a young JFK.

World War II, V2.0

I haven’t been reading much at all lately; blame Philip K Dick*. His book, The Man in the High Castle, has been on my nightstand for months. It is both fascinating and terribly difficult to read, which accounts for the procrastination…

I picked out this book because I really liked Dick’s Do Androids Dream of Electric Sheep? It brings an abstractness and emotion to sci-fi that one rarely sees in a genre filled with stereotypes and action. After that, I had less luck with A Scanner Darkly, which is a very evocative account of a man’s descent into drug addiction. The beauty of Dick’s work is that the strong plotlines are bolstered by an immersive writing style- A Scanner Darkly gets more and more choppy (and incoherent) as the protagonist, a cop, gets drawn in to the murky world that he was meant to be investigating. He does a good job with the garbled stream of consciousness of a drug addled mind (PKD had his own struggles with drug abuse)- so good that it is hard to follow.

Anyway, I went in with very high expectations, and while I wasn’t disappointed per se, I still didn’t enjoy this book. A failing on my part, not PKD’s.

The Man in the High Castle is a speculative fiction book, set in an alternate reality where the Axis Powers won World War II. The Japanese now rule the west coast of the USA, and Jews are unwelcome. This genre of fiction is very exciting; I would have appreciated it more had I been more familiar with the historical details of the end of World War II (mostly in relation to the USA- this is clearly a large hole in my knowledge).

There are three parallel storylines that are loosely connected. One involves some good old fashioned espionage and murder. Another is about forgery of ‘traditional’ American manufactured items (that, perversely, have collector’s value in this world). The third revolves around a one night stand between strangers in a small town in Colorado that rapidly turns dark.

There are several relatively minor plot points that really stand out: all the characters use the I Ching to make decisions and divine the future; there are strongly racist feelings expressed by a white man towards the ‘superior’ Japanese- something that is prevalent in today’s world as well**. Even better, there’s a novel in the book that speaks about an alternate-alternate history in which the Axis powers were defeated. Meta enough to satisfy even the most discerning sci-fi fan.

This book is truly an immersive experience- nuances are conveyed via language and narrative pace. The scenes set in Japan-ruled San Francisco are told in choppy, metaphor-heavy language vaguely reminiscent of Japanese. In other chapters, panic is conveyed with short sentences and incomplete trains of thought.

3.5/5 from me, but PKD is still da man.

*He apparently died in 1982, and I doubt he would be heartbroken by this anyway.

**Though ‘this reverse racism’ may be obvious only among the melanin-blessed population.

The art of translation

Translations have the ability to ruin or enrich a piece of literature. In this review, I look at two books that were translated to English. Chemmeen, written in Malayalam by T. S. Pillai, was translated by Anita Nair, and One Part Woman, written in Tamil by Perumal Murugan, was translated by Aniruddhan Vasudevan.

The problems of translation are many, and I don’t pretend to know all of them. But, even to a novice, many of those problems become evident when it’s a translation of a nuanced story. Likewise, the beauty of a good translation is evident when a reader is moved by the literature, an artwork by itself, despite the translation. To be able to accomplish the latter requires responsible and dedicated translation, which, I’m afraid, is rare to find.

One Part Woman was written in Tamil under the title Maathorubagan. The book kicked up a storm when it was published. A section of the society demanded that it be banned. But fortunately, in an unfortunately flawed judgment, the courts allowed the book to be published.

The book, One Part Woman, is about a couple, Kali and Ponna, who are deeply in love with each other. The tenderness in their relationship is touchingly written; allowing me to forget that this is a translation! Their attempts at conceiving a child go in vain, and they are hounded by the social sanction of being childless. But then there comes relief – a chariot festival, where consensual sex between any man and woman, married or unmarried, is allowed; all for the benefit of the barren women. According to this tradition, the acts committed on the occasion of the festival are sacred and fully sanctioned by God. But will it push Kali and Ponna’s relationship too far if she participates in it?

The tale is harrowing because of how human it is. It examines, with nuance and lyricism, the ways in which society manipulates our choices, emotions, relationships. By the end of the thin book, I was exhausted and moved. The story is exceptional, goosebumps-worthy. It made me wonder how exquisite the Tamil version would be. But thankfully, the translation is excellent in that simple English is used to tell the tale without any jarring pitstops.

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The Tamil book, Maathorubagan

And then there is Chemmeen, an epic story, and a regrettable translation. Chemmeen is more famous as one of the best Malayalam movies, than it is as a Malayalam book. The story is gold! However, the intricately woven themes and the strong characters have to be rescued by the reader against the tide of the grammatical errors that steal the treasure – the story. The flat tone used, with a mechanical translation, was highly off putting.

“It was bone-chillingly damp. Then one morning the sun rose in a clear sky. The boats were launched. There was a good catch. The boats came back to shore and brisk trade happened.”

“A few days later a huge quarrel erupted on the shore. All the fisherwomen who sold their fish in the east ganged up against Karuthamma and abused her.”

Lines that may have sounded poetic in Malayalam lay diminished in this translation.

Apart from my grievance about the translation, the story is beautiful. It’s a classic. It examines the lives of a community of fisherfolk in Kerala, their interpersonal relationships based on status, class and religion. It is essentially a love story, though. All the characters are built expertly, except Pareekutty, who remains slightly mysterious and romantic till the end. The protagonists of the love story, Karuthamma, Pareekutty and Palani, are honorable, loving, flawed, passionate people. Even though Karuthamma loves Pareekutty, she marries Palani. She does so because, among other myriad reasons, Pareekutty is not from her religion, because her father asks her to do so, because that’s her duty to the community, as a fisherwoman. As you can see, from this very short snippet of the story, multiple themes are intertwined in the story. And the story itself has many twists and turns. What happens to Palani, Karuthamma and Pareekutty? Do Palani and Karuthamma live as a happily married couple? Or do Karuthamma and Pareekutty get together? The richness of the story merits every high praise. But, as for the translation, the lesser said the better.

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A still from the 1965 Malayalam movie, Chemmeen


Chemmeen and One Part Woman share some similar themes, but Chemmeen, I’d say, is more layered and complex, and is a better drama; a classic! One Part Woman, though, has won me over with its simple, yet nuanced, story.

TS Pillai’s Chemmeen deserves a 4.5/5 for being such an epic story, but I’d rate it at 3/5 due to (despite) the disappointing translation by Anita Nair. Don’t read it if you cannot stand a beautiful story being lost due to the ineptitude of the literature.

Perumal Murugan’s One Part Woman fully deserves a 4/5, for its story and the translation that does it justice. Read it if you enjoy heartwarming lyrical love stories.

The Color Purple

This is a review of The Color Purple, for which Alice Walker won the Pulitzer Prize for Fiction in 1983. It’s a novel that is best known for its narrative style, for its depiction of discrimination in its most normal, and thus cruel, form, and for its breathtaking message.

The narrative style takes the cake. It’s written in the form of letters, a possibility that I had never considered for an entire novel. Another pleasant suprise to me was the fact that one’s English needn’t be perfect to write a masterpiece (to an English speaking audience). The language used in the book is not a refined or grammatically correct English, but one that is more familiar, a more natural human language. This book is proof that it is far more appealing to write on behalf of the character, than to write perfectly.

The book begins with letters from Celie to God, to whom she writes because she has no one else to write to. From Celie’s letters we learn that she is a poor and uneducated girl, whose stepfather beats and rapes her when she’s 14. He impregnates her twice and abducts her children. Celie is then married away to “Mr. _____”, who dearly needs someone to take care of his children. At Mister’s place, Celie lives a life of a sub-human (which is not too different from the life she lived in her father’s house). Celie accepts this treatment, for a while, without complaint:

“He beat me like he beat the children. Cept he don’t never hardly beat them. He say, Celie, get the belt… It all I can do not to cry. I make myself wood. I say to myself, Celie, you a tree. That’s how come I know trees fear men.”

In the meantime, Nettie, Celie’s young sister, escapes her father’s house and comes to live with Celie. But when Mister makes sexual advances to her, Celie advices Nettie to seek help from a well dressed woman she saw in the marketplace. Celie only wants Nettie to escape the life that she has resigned herself to.

After Nettie escapes, Celie meets another remarkable woman. Mr. ____’s son, Harpo, marries a ‘wayward’ woman, an assertive woman, Sofia; and they live in a cottage by the house. Sofia is rebellious and audacious, and will not take being battered as normal. She even beats up Harpo when he beats her to assert his manhood.

You ever hit her? Mr. ____ ast.

Harpo look down at his hands. Naw suh, he say low, embarrass.

Well how you spect to make her ind? Wives is like children. You have to let ’em know who got the upper hand. Nothing can do that better than a good sound beating.

Celie’s life begins to change when Mr._____ brings home his sick mistress, Shug Avery. Shug is a glamorous jazz and blues performer. She is everything that Celie is fascinated by. She has a mind of her own, she seems to have Mister’s full attention, and she seems to be gloriously independent.

Shug and Celie become intimate friends. Celie tells Shug all about Nettie, her little sister. Shug is her protection against Mr. ____’s battering, and Celie is one of Shug’s best friends. It doesn’t take long for Shug and Celie to discover that Mr. ____ had been hiding the letters sent by Nettie, for over thirty years.

Nettie writes about her life with a missionary couple, who also incidentally adopted Celie’s biological children. The letters speak of their time in Africa, about how they struggle to keep themselves afloat, alive, with disbelief and hope, while they live with a tribal group. Nettie’s letters are written in a more literate hand, speaking of African history, and what not, while Celie’s are rough at the edges, but written in a warmer tone. Nettie speaks of a world alien to Celie, and shows her powerlessness as she watches oppression meted out against the natives in Africa. Celie understands, in a way, as she herself is oppressed by Mr. ____, for being a woman, a wife. However, Shug’s conviction that Celie’s life is not hopeless changes Celie’s life, starting with how Mr. ____ treats her.

Throughout most of the book, Celie’s emotions are leashed. She’s almost afraid to speak her feelings – about her father, Mr. ____, Shug. She could be described as stoic, but I think she was numbed by fear. But, by the end of the book, she’s a revelation, like a person who seems to have noticed the purple flowers. Just what happens to Celie, Shug, Nettie, Sofia (what happens to her is slightly amusing, but also awful), Harpo, Mr. ____, and the others (that I haven’t mentioned in the review), is left to you to find out! Do Celie and Nettie ever meet?

The book explores themes such as sexism, feminism, racism, among others. If any of this matters to you, you will connect with its strong, vulnerable, incredibly courageous characters. The awful circumstances that define Celie shows us how much courage it takes to break free of those binds. This book begins to help us understand what we might need, to find ourselves, to not merely exist, but to be alive; to look at the purple flowers. The Color Purple is a lesson in audacity and about the importance of equality of people, irrespective of gender, sexuality, race. My only quibble, if at all, is that there is hardly a good man in the book.

4.5/5

The book’s title comes from what Shug says, about what it means, or takes, to be alive. She says,

“I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it. People think pleasing God is all God cares about. But any fool living in the world can see it always trying to please us back”.

Little England

This is a review of The Colour of Gold, by Gita Aravamudan, published by HarperCollins. It’s a work of fiction centered around the accidental death of an Anglo-Indian in a quiet little mining town.

I was motivated to read it solely because it features my hometown, Kolar Gold Fields. But I was met with disappointment. The descriptions of the town are remarkable but also uninspiring. Remarkable, because this is a first, uninspiring because I failed to relate to the literature even though I have lived in the places that are described.

The greed and human cost of gold mining is brought out in the first chapter. But soon, that is left behind for some mystical sights of the ghost of Ponni, from 1903, that Sheila sees in 2003 and that Arati sees in 1953. The plot of the novel surrounds Ponni, who was an Indian girl that a top British officer at the mines sires and has three children with. He dies in the mine and the children are cruelly separated from Ponni by the wife of the Englishman. The story (actually a set of disconnected stories) is about how his great-great-grand children trace their family trees back to the love affair between him and Ponni. The fiction is okay at best. It is more like a story meant for a tabloid. With a weak plot, and too many characters that remained undeveloped, it ultimately is but a damp squib mystery. The murder/accident of the Anglo-Indian is mentioned in the first couple of chapters, relegated to the backdrop after that and easily forgotten in the interest of other trivia, until the very end when we’re reminded of it again, only to be met with a laughably arbitrary climax. The saving grace was Ponni’s story, but even that was unexciting when it took shelter under clichéd romances.

The literature is of a basic kind, rendering it to be a half day read. I read it because it was given by the writer to my father, an engineer at the mine when it was operating. My father’s markings on the margins of the book tell me that many of the details described in the book resemble the truth, such as the splendor of the clubs, libraries, parties, and the close knit community that was once called ‘Little England’. The open affection that the people in this township felt for the British, combined with the lingering British customs, has also been brought out in the book.

Part of the book is based on life in KGF in 2003, a year after mines in KGF were declared closed. There was a fair amount of thievery and crime in the place, owing to unenforced law and order and the vast amount of unguarded wealth of the mines. Colour of Gold, though, slips into being an exercise in drawing up a family tree, with scant amount of thrill and drama that a mystery novel ought to have. At least pictures from the bygone era could have saved the book. Why, I even think it would have fared better if had been a coffee table book with the well researched descriptions of the city from the book.

If you’ve lived in a mining town and enjoy tracing family trees, you might tolerate the book. Sadly, the colour of gold is all the book can be, not gold. 1.5/5.

Are we all the same in our differences?

This is my review of Americanah, by Chimamanda Ngozi Adichie. SD already reviewed this one here, and clearly she did a brilliant job of selling it.

I chose to review it again because I saw it in a very different way (a view from the other side, maybe?). Anyway, I’ll keep this short.

This is the story of Ifemelu, a college student in Nigeria. Her peers, and society at large, is quite obsessed with emigration. They apply for visas, travel abroad, and immerse themselves in Western culture. But as the daughter of a middle-class family, Ifemelu has no opportunity to travel and feels left out. When her education is disrupted once too many times due to administrative troubles, she applies to college in the USA.

The rest of the book is about Ifemelu leaving her family and boyfriend Obinze in Nigeria to move West in search of a ‘better life’. Obinze himself moves to the UK a couple of years later. They have very different experiences, and grow closer (and apart) as a result.

To me, this was not a romance at all. Most of the story focuses on how Ifemelu builds a life for herself in the USA, beginning with illegal employment. Eventually, she becomes a true ‘Americanah’. She writes a blog, a snarky account of the cultural differences between Africans, African-Americans, and white Americans.

Many parts of the story were relatable; maybe some aspects of foreignness are shared by anyone outside their home country. The panic and frustration when someone (Uber drivers, doctors, your landlord) cannot understand your accent. The realization that your skin colour will always be the main-sometimes only- talking point between you and Them. The infinite small differences that those sitcoms and novels never mentioned. The fragility of your connections with friends and family back home- so easily snapped when things get hard.

My only issue with this book is that it is pretentious. Everyone in the book is vaguely self absorbed, and Ifemelu is convinced of her superiority both in America and Nigeria. Despite all her independence and resourcefulness, she does need (and gets!) help from friends and family, but does not seem to acknowledge that. The emotions I listed in the previous paragraphs aren’t unique to those overseas, they can, and are, experienced by any adult in a heterogeneous society.

In conclusion, I (also) give this book a 4/5.

The Sellout, a sell out

This is a review of The Sellout by Paul Beatty.

The novel is a political satire that can come off as a disturbing and disparaging reflection of the society. It’s about a black man, identified only as ‘Me’ or ‘The Sellout’, who is amused and angry with the American society for pretending not to be racist, and for forcing integration that many apparently would rather not be a part of. It hence provides a sharp reflection of the American society that has failed to become a society of equals.

His father, who home schooled him through unorthodox sociological and psychological conditioning methods, is killed in a police shootout. Soon after, his city, Dickens, is struck out of maps and left unidentified. Aghast, he tries to reclaim the identity of the city and figure his own identity out in the process. So, first, he goes about painting a rough boundary across the region to mark his city. Also, Hominy, a friend and a former side actor in TV shows, surrenders himself to Me as a slave (because “true freedom includes the right to be a slave”)! The Sellout then segregates his girlfriend’s bus, with a “whites only” sign. When he does it, the number of fights and complaints, typical to the bus, falls drastically. And what’s more, people try to reproduce such segregation in other parts of the ‘city’. Crime rates drop and people are nicer. Even the city’s elementary school is segregated with the help of Me and Hominy the Slave, leading to better performance of the students.

Eventually the State catches on, and a case is filed against Me. The case is escalated to the Supreme Court, where the Judge asks, finally, “whether a violation of civil rights law that results in the very same achievement these heretofore mentioned statutes were meant to promote, yet have failed to achieve, is in fact a breach of said civil rights.” This is the crux of the book. Is forced integration, which is mostly pointless and often debases a man, the right thing to do? Is it not better to not enforce integration if that’s what the people concerned want? Or as Hominy asks, “are we missing the forest for the trees”?

This review may make The Sellout seem like it’s a serious and highly political novel. But it’s also hilarious. At many instances, you’ll find yourself smiling at the genius. And you’ll be astounded by what is happening too. Beatty continuously disturbs, offends and jokes, through passages imbued with too much meaning to be called merely comedy.

My only real and major grouse with the book is that I didn’t follow some of the American popular culture references. The novel doesn’t really have a plot, but rides along just fine with the help of the biting humor. It also rolls like a speeding truck, from one crack of dry sarcasm to another, so it gives you little time to breathe between the lines.

Beatty incessantly pokes fun at literature, movies, etc., for selling out to the majoritarian views of the society. That made me wonder, now that The Sellout is as world famous and is being sold out at bookstores due to its apparent conformity to the majority of the buyers’ views, does that make this book a sellout too?

The final verdict: The Sellout is meant to be re-read till one is tired by the irony of the world one lives in.

4/5.

Here’s an excerpt (that I thought needs to be written in bold, underlined and italicized):

“What does that mean, I’m offended?”… “It’s not even an emotion. What does being offended say about how you feel?”… “If I ever were to be offended, I wouldn’t know what to do. If I’m sad, I cry. If I’m happy, I laugh. If I’m offended, what do I do, state in a clear and sober voice that I’m offended, then walk away in a huff so I can write a letter to the mayor?”

Wonder

This is a review of Wonder by R J Palacio.

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August Pullman is not ordinary. He was born with a facial deformity. He has been home schooled till now, owing to the numerous surgeries that he needed. But now he’s about to attend fifth grade in a school near his home. He’s nervous because he knows that he’s not ordinary, at all.

Wonder is narrated by Auggie, his friends, his sister Olivia, and her friends. Each has a slightly different style of narration, believable and authentic. Auggie is smart, kind, and understands that he stands out in a crowd. He’s pragmatic and doesn’t seek to play the victim card, ever. His sister, as a teenager, is also incredibly supportive (but also acts her age, to balance out the halo on her head). His parents are god sends – perfect.

Auggie is intelligent and is a loner. He gets good grades and makes few friends because he’s not very popular. The school bully (and most popular kid), though, dislikes him, and keeps trying to pull him down. He also gets the kids to play horrible games on Auggie. August, though, does have a couple of friends who stand up for him. They simply believe that it’s the right thing to do, not brave or kind, but just right.

The book is warm. For a protagonist like August, who has to deal with insensitive bullies, the book could have been made more mushy. But it’s not. You don’t feel bad for Auggie. He also tells you, subtly, that you don’t get a pretty ribbon or badge for being nice to people with deformities (or disabilities, I might add); you only don’t get called an arsehole.

It’s not really a book for adults. But I know a lot of adults who can learn a lesson or two from it. Anyway, Wonder is my book recommendation for young adults and children. 4/5.

Greek mythology for the mortals

This is a review of the Percy Jackson books, by Rick Riordan.

Percy Jackson and the Olympians is a set of 5 fantastic books based on Greek Mythology, which one will learn is no myth, but reality set in The USA today. The Greek mythology is fun. Obviously. After all, many human years ago it was part of a religion which, anthropologists like Malinowski believed, held societies together. Despite being as larger than life, the inspiration that the books draw from Greek Mythology is just right.

Percy Jackson is a dyslexic 12 year old when we meet him. He cannot seem to keep a seat in a school for longer than a year, because he always causes some inexplicable problems that get him expelled. He and his lone friend, Grover, join the school trip in which Percy is attacked by the former math teacher, Mrs Dodds, current monstrous bird-like thing that tries to kill Percy. With the help of his Latin teacher, Chiron, who lends him a ballpoint-pen-turned-sword at the right moment, Percy valorously, and to his own surprise, defeats the monster. However, after he does, noone around him seems to remember a Mrs Dodd, never mind the attack that Percy survived. We soon learn that the memories of the mortals (humans) was altered by the Mist (a spell of sorts that alters memories and imagery). As one can guess, Grover and Chiron, are not human – and were, in fact, protecting Percy from the monsters. After this incident and a bunch near-fatal meetings with more monsters, he, his mother and Grover drive to the Half-blood Hill, where other children like Percy live.

At camp, Percy learns that he is the son of Poseidon, the god of seas; one of the Big Three (the other two being Zeus and Hades), and a “mistake” in the sense that despite the gods’ oaths not to sire children with humans, Poseidon did (although Zeus did it first, but his child almost, sort of, did not really survive). Our protagonist is hence no more a dyslexic and lost little lad, but one of the most powerful 12 year olds alive.

The books of the pentalogy are strung together by the doings of the gods, some prophecies and the heroism of Percy and co. They track Percy’s adventures as he first tries to stop a war from occurring, then tries to restore the health of the camp which loses its protective properties due to sabotage of its border forces. In the third book, Percy and his friends try to safeguard other half-bloods, and in the bargain, he loses and gains friends. In the fourth part, Percy and friends try to safeguard the camp, which they believe is compromised due to a labyrinth underneath. The last part is the culmination of the series, where the games played by Kronos (the Titan lord – very important and dangerous) is drawn to the close as he attempts to destroy Olympus (which is situated in New York, by the way), the house of the gods.

The series is short and fast paced. It has no unnecessary descriptions of scenery, for instance. It throws up some perfunctory surprises and twists to keep it going; some enrich the reading, some turn things upside down, and some are very predictable. You’d enjoy the series like I did, if you like the idea of gods roaming in running clothes, driving a Maserati, a Harley Davidson, wearing beach wear and the like. There’s almost never a dull moment. The funniest bit for me was when Percy and his friend (and daughter of Athena), Annabeth, try to enter the Underworld, Hades’s abode. Watch out for the three-headed dog, Cerebus.

What I felt was a bummer was the repetitive nature of the adventures, and the lack of maturity of the characters despite the years. Percy is perceptually confused and surprised at his own abilities. I had to keep reminding myself that he’s only a little boy (um, who saves the world!). Also, he’s too noble. Bah. That apart, as a Potterhead, I came across somethings that sounded too familiar. In Percy Jackson, as in Harry Potter, there’s a prophesy which might fit the protagonist (including the apparent confusion about the subject of the prophesy – Harry or Neville; Percy or ). The villain of the story is almost dead, but not quite, and is trying to rise once again. This guy first tries to steal an instrument that will hasten his resurrection (philosopher’s stone, the golden fleece) before he goes full mental and uses the services of his cowardly loyal followers. In one of the books, there’s a maze with monsters littered all over it (remind you of the third task in the triwizard tournament?).

While the books were good company, their brilliance dulled towards the end (the final book tries too hard to be funny, and is condensible to half its length). But to be fair, the monsters and other creatures throughout the series are entertaining and slightly adorable scary. For instance, there’s a cow-like sea creature which says ‘Moo’.

For making a comedy out of those witless gods, here’s to you, Rick Riordan!

3/5

Half of a Yellow Sun

This is a review of Half of a Yellow Sun by Chimamanda Ngozi Adichie.

More than a work of fiction, this felt like a work of history. The Igbo Pogrom (or genocide, if you’re not being fussy about words) of the 1966 and the politics of Nigeria in the 60s has been captured in these pages through the eyes of Ugwu, a young man who goes to the city to cook for Odenigbo, a college Professor.

During this period, about 40000 – 60000 people were killed, by bullet or through starvation. Through it all, there remained people who survived, mentally and physically, and built the country after the Pogrom. This novel is a fictional account of one such family.

Odenigbo introduces the city life to Ugwu, through his liberal friends, and by his own eccentricities. As Ugwu settles into his “Sah’s” house, he learns to cook, tend, and looks after Odenigbo very well. Odenigbo’s girlfriend, Olanna, comes down as well. For a while, things seem normal; great, in fact. Olanna and Odenigbo adopt a child (whose biological father is Odenigbo, but mother is.. well, not Olanna; you’ll have to read the book to know more about the descent of the baby girl). Still the houseboy, Ugwu joins school, and hopes to become a professor like Odenigbo one day.

But soon, the Igbo Pogrom breaks out. The tribes in the north of Nigeria (Hausas) kill Igbo tribes, including Olanna and Odenigbo’s families and friends.

Through the novel, Odenigbo is chockfull with disbelief at what is happening. During the most peaceful and hopeful times, he and his colleagues (all liberal professors) publish journals, demanding a more democratic government from the short lived Republic of Biafra. The Republic of Biafra was established in a coup that has since been infamously known as the precursor to the Pogrom; due to its brashness in supporting the Southern Nigerean people, Igbos, over the Northern ones. The feeling of humiliation felt by the Northerners is said to have sparked off the anger that the Hausas took out against the Igbos.

When the civil war (the Pogrom) breaks out, he, Olanna and their baby move to his mother’s place, at the very last minute, away from the violence. Soon the Hausa tribes come close to finding them there as well. Then, with no choice left, they move to the refugee camps, where life hits a low. Olanna and Odenigbo suffer through blows, as they are unable to feed or clothe their child, never mind themselves. Ugwu remains loyal and supports them throughout. The way they flee from the refugee camp when the Hausas descend on them there as well, is a tale in itself.

As in this review, the book is deeply attached to the chilling history of Nigeria. The characters have not been compromised in the bargain, though. Their descriptions are rich; they’re likable and still very flawed. I’ve come to think that this is Adichie’s hallmark (despite my admittedly limited exposure to her work) – characters that one can like, but characters that are not Mary Sues. The development of each character, Olanna, Odenigbo, Ugwu, is memorable; not perfect, but so well done that I still remember little details about them. Like Ugwu’s anger at some of Odenigbo’s friends because he felt they were disrespectful towards his Master; Olanna’s wit and sharpness as a writer, and then a mother; Odenigbo’s spirited debates with his colleagues every evening in his house, etc. There are other characters, too, that are cunning, crazy or incredibly principled, who evoke certain distaste or respect from me even after months of reading the book.

Adichie sparkles in every page of this page turner. The human spirit and the bloody politics of Nigeria is so remarkably interwoven that you cannot see one without the other. If only one could study all of history this way!

4/5